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Spirit of The Points Calligraphy by Harrison Tu

$85.00

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Description

In 2001, Judy and JR Worsley commissioned two world-renown calligraphy artists:
Marlow Brooks and Harrison Xinshi Tu to create calligraphies for their Spirit of the Points project.

The Worsley’s commissioned Marlow Brooks to create individual color calligraphies for the title page and for each of the five elements and twelve officials. Marlow’s reputation as a fine international calligrapher is renown. She received an outstanding award for calligraphy in Shanghai and was featured in the documentary Chinese Calligraphy in 5000 Years. Her work has been exhibited throughout the world: Europe, China, Japan, Korea, Thailand, United States, and India. As a faculty member of Naropa University in Boulder, Colorado, she teaches the Psychology of the Five Elements, Calligraphy, and Contemplative Arts.

The Worsley’s commissioned Harrison Tu, also a world-renown calligrapher and an adjunct faculty member at Naropa University in Boulder, Colorado, to illustrate with black and white calligraphies the individual acupuncture points.  He has created numerous works of calligraphy, many of which have been selected for exhibition in the United States, Japan, Korea, and Singapore. There is a permanent collection of his arts on display in the Denver Art Museum in Denver, Colorado. He is author of several calligraphy books.

Each piece of calligraphy has been intentionally created to reflect the meaning of each of the Spirit of the Points, the Official, and the Element.

All Marlow Brooks color calligraphies (The Title Page, Elements and Officials) are SOLD OUT.

Although many of the 365 black and white calligraphies by Harrison Tu are sold we are pleased to offer the remaining ones for sale. These beautiful Spirit of the Point calligraphies on traditional rice paper done in traditional black ink are wonderful pieces of artwork for your home and/or your clinic.

IV. 20 Through The Valley (Fu Tung Ku)

IV. 21 Dark Gate (Yu Men)

Our current inventory:

Spirit Of The Points
Calligraphy By Harrison Tu
Date of Last Inventory 3/14/17

I. 6 Yin Mound (Yin Hsi)
I. 8 Lesser Palace ( Shao Fu)

II. 1 Little Marsh (Shao Tse)
II. 4 Wrist Bone (Wan Ku)
II. 7 Upright Branch (Chih Cheng)
II. 8 Small Sea (Hsiao Hai)
II. 9 Upright Shoulder ( Chien Chen)
II. 10 Shoulder Blade (Nao Shu)
II. 13 Crooked Wall (Chu Yuan)
II. 14 Outside The Shoulder Correspondence (Chien Wai Shu)
II. 15 Middle of the Shoulder Correspondence (Chien Chung Shu)
II. 17 Heavenly Appearance (Tien Jung)
II. 18 Cheek Bone (Chuan Liao)

III. 3 Eyebrows Rushing (Mei Chung)
III. 4 Crooked Servant (Chu Cha)
III. 5 Five Palaces (Wu Chu)
III. 8 Lou End (Lo Chueuh)
III. 9 Jade Pillow (Yu Chen)
III. 12 Wind Gate (Feng Men)
III. 13 Lungs Correspondence (Fei Shu)
III. 15 Heart Correspondence (Hsin Shu)
III. 16 Governor Correspondence (Tu Shu)
III. 17 Diaphragm Correspondence (Ke Shu)
III. 18 Liver Correspondence (Kan Shu)
III. 19 Gall Bladder Correspondence (Tan Shu)
III. 20 Spleen Correspondence (Pi Shu)
III. 21 Stomach Corresopndence (Wei Shu)
III. 22 Three Heater Correspondence (San Chiao Shu)
III. 23 Kidneys Correspondence (Shen Shu)
III. 25 Large Intestine Correspondence (Ta Chang Shu)
III. 26 First Gate Correspondence (Kuan Yuan Shu)
III. 27 Small Intestine Correspondence (Hsiao Chang Shu)
III. 28 Bladder Correspondence (Pang Kuang Shu)
III. 29 Middle of the Backbone Correspondence (Chung Lu Shu)
III. 30 White Ring Correspondence (Pai Huan Shu)
III. 31 Upper Sacral Bone (Shang Liao)
III. 32 Second Sacral bone (Tzu Liao)
III. 33 Middle Sacral Bone (Chung Liao)
III. 34 Lower Sacral Bone (Hsia Liao)

III. 35 Meeting of Yang (Hui Yang)
III. 36 Near Division (Fu Fen)
III. 40 Wail of Grief (Yi Hsi)
III. 41 Diaphragm Border (Ke Kuan)
III. 43 Yang Net (Yang Kang)
III. 45 Stomach Granary (Wei Tsang)
III. 46 Diaphragm Gate of Vitality (Huang Men)
III. 48 Womb and Heart Diaphragm (Pao Huang)
III. 49 Orderly Frontier (Chi Pien)
III. 50 Receive and Support (Cheng Fu)
III. 51 Prosperous Gate (Yin Men)
III. 52 Floating Reserve (Fu Hsi)
III. 53 Equilibrium Yang (Wei Yang)
III. 54 Equilibrium Middle (Wei Chung)
III. 55 Uniting Yang (Ho Yang)
III. 56 Supporting Muscles (Cheng Chin)
III. 57 Supporting Mountain (Cheng Shan)
III. 58 Fly and Scatter (Fei Yang)
III. 59 Foot Bone Yang (Fu Yang)
III. 60 Kunlun Mountain (Kun Lun)
III. 61 Servant’s Aide (Pu Shen)
III. 63 Golden Gate (Chin Men)
III. 65 Bone Binder (Shu Ku)
III. 66 Penetrating Valley (Tsu Tung Ku)
III. 67 Extremity of Yin (Chih Yin)

IV. 2 Blazing Valley (Jan Ku)
IV. 5 Water Spring (Shui Chuan)
IV. 9 Building Guest (Chu Pin)
IV. 10 Yin Valley (Yin Ku)
IV. 11 Transverse Bone (Heng Ku)
IV. 12 Great Brightness (Ta Ho)
IV. 14 Four Full (Szu Man)
IV. 15 Middle Flowing Out (Chung Chu)
IV. 16 Vitals Correspondence (Huang Shu)
IV. 17 Merchant Crooked (Shang Chu)
IV. 18 Stone Border (Shih Kuan)
IV. 19 Yin Tu (Yin Tu)
IV. 20 Through The Valley (Fu Tung Ku)
IV. 21 Dark Gate (Yu Men)
IV. 27 Store House (Shu Fu)

V. 3 Crooked Marsh (Chu Tse)

VI. 2 Fluid Secretion Gate (Yeh Men)
VI. 3 Middle Islet (Chung Chu)
VI. 5 Outer Frontier Gate (Wai Kuan)
VI. 8 Three Yang Junction (San Yang Lo)
VI. 9 Fourth Gutter (Szu Tu)
VI. 11 Pure Cold Abyss (Ching Leng Yuan)
VI. 13 Shoulder Meeting (Nao Hui)
VI. 14 Shoulder Bone (Chien Liao)
VI. 15 Heavenly Bone (Tien Liao)
VI. 17 Wind Screen (Yi Feng)
VI. 18 Feeding Meridians (Chi Mo)
VI. 19 Skull Breathing (Lu Hsi)
VI. 20 Small Angle of Ear (Chueh Sun)
VI. 21 Ear Gate (Erh Men)
VI. 22 Harmony Bone (Ho Liao)

VII. 1 Orbit Bone (Tung Tzu Liao)
VII. 2 Hearing Assembly (Ting Hui)
VII. 3 Upper Pass (Shang Kuan)
VII. 4 Loathsome Jaws (Han Yen)
VII. 5 Suspended Skull (Hsuan Lu)
VII. 6 Suspended Regulator (Hsuan Li)
VII. 7 Crooked Hair On The Temples (Chu Pin)
VII. 8 Flowing Valley (Shuai Ku)
VII. 9 Heaven Rushing (Tien Chung)
VII. 10 Floating White (Fu Pai)
VII. 11 Head Hole Yin (Tou Chiao Yin)
VII. 12 Final Bone (Wanku)
VII. 14 Yang White (Yang Pai)
VII. 15 Head Above Tears (Tou Lin Chi)
VII. 16 Eye Window (Mu Chuang)
VII. 17 Upright Living (Cheng Ying)
VII. 19 Brain Hollow (Nao Kung)
VII. 20 Wind Pond (Feng Chih)
VII. 21 Shoulder Well (Chien Ching)
VII. 22 Armpit Abyss(Yuan Yeh)
VII. 23 Neglected muscles (Che Chin)
VII. 25 Capital Gate (Ching Men)
VII. 26 Girdle Vessel (Tai Mo)
VII. 27 Five Pivots (Wu Shu)
VII. 28 Binding Path ( Wei Tao)
VII. 29 Dwelling In The Bone (Chu Liao)
VII. 31 Wind Market (Feng Shih)
VII. 32 Middle Ditch (Chung Tu)
VII. 33 Knee Yang Border (Tsu Yang Kuan)
VII. 35 Yang Crossing (Yang Chiao)
VII. 36 Outer Mound (Wai Chiu)
VII. 38 Yang Support (Yang Fu)
VII. 39 Hanging Cup (Hsuan Chung)
VII. 41 Foot Above Tears (Tsu Lin Chi)
VII. 42 Earth Five Meetings (Ti Wu Hui)
VII. 43 Valiant Stream (Hsia Hsi)
VII. 44 Foot Hole Yin (Tsu Chiao Yin)

VIII. 1 Great Esteem (Ta Tun)
VIII. 2 Walk Between (Hsing Chien)
VIII. 3 Supreme Rushing (Tai Chung)
VIII. 4 Middle Seal (Chung Feng)
VIII. 6 Middle Capital (Chung Tu)
VIII. 7 Knee Border (Hsi Kuan)
VIII. 8 Crooked Spring (Chu Chuan)
VIII. 9 Yin Wrapping (Yin Pao)
VIII. 10 Five Miles (Tsu Wu Li)
VIII. 11 Yin Angle (Yin Lien)
VIII. 12 Hasty Pulse (Chi Mo)

IX. 5 Outside Marsh (Chih Tse)
IX. 8 Meridian Gutter (Ching Chu)
IX. 11 Little Merchant (Shao Shang)

X. 1 Merchant (Shang Yang)
X. 2 Second Interval (Erh Chien)
X. 3 Third Interval (San Chien)
X. 5 Yang Stream (Yang Hsi)
X. 6 Side Passage (Pien Li)
X. 8 Lower Side (Hsia Lien)
X. 9 Upper Angle (Shang Lien)
X. 10 Arm Three Miles (Shou San Li)
X. 12 Elbow Bone (Chou Liao)
X. 13 Arm Five Miles (Shou Wu Li)
X. 14 Outer Bone Of The Arm (Pi Nao)
X. 15 Shoulder Joint (Chien Yu)
X. 16 Great Bone (Chu Ku)
X. 17 Heavenly Vessel (Tien Ting)
X. 19 Grain Bone (Ho Liao)

XI. 2 Four Whites (Szu Pai)
XI. 3 Great Cheekbone (Chu Liao)
XI. 7 Lower Passage (Hsia Kuan)
XI. 8 Head Tied (Tou Wei)
XI. 10 Water Rushing Out (Shui Tu)
XI. 13 Ch’i Door (Chi Hu)
XI. 14 Storehouse (Ku Fang)
XI. 15 Room Screen (Wu Yi)
XI. 16 Breast Window (Ying Chuang)
XI. 17 Centre Of The Breast (Ju Chung)
XI. 18 Root Of The Breast (Ju Ken)
XI. 21 Bridge Gate (Liang Men)
XI. 22 Border Gate (Kuan Men)
XI. 24 Lubrication Food Gate (Hua Jou Men)
XI. 26 Outside Mound (Wai Ling)
XI. 28 Water Path (Shui Tao)
XI. 29 The Return (Kuei Lai)
XI. 30 Chi’i Rushing (Chi Chung)
XI. 31 Thigh Border (Pi Kuan)
XI. 32 Prostrate Hare (Fu Tu)
XI. 33 Yin Market (Yin Shih)
XI. 34 Beam Mound (Liang Chiu)
XI. 38 Branch Opening (Tiao Kou)
XI. 39 Lower Great Void (Hsia Chu Hsu)
XI. 42 Rushing Yang (Chung Yang)
XI. 43 Sinking Valley (Hsien Ku)
XI. 45 Hard Bargain (Li Tui)

XII. 2 Great Capital (Ta Tu)
XII. 3 Supreme White (Tai Pai)
XII. 5 Merchant Mound (Shang Chiu)
XII. 6 Three Yin Crossing (San Yin Chiao)
XII. 7 Leaky Valley (Lou Ku)
XII. 8 Earth Motivator (Ti Chi)
XII. 9 Yin Mound Spring (Yin Ling Chuan)
XII. 10 Sea Of Blood (Hsueh Hai)
XII. 11 Basket Gate (Chi Men)
XII. 14 Abdomen Knot (Fu Chieh)
XII. 16 Abdomen Sorrow (Fu Ai)
XII. 17 Food Drain (Shih Tou)
XII. 18 Heavenly Stream (Tien Hsi)
XII. 19 Chest Region (Hsiung Hsiang)

CV 2 Crooked Bone (Chu Ku)
CV 3 Utmost Middle (Chung Chi)
CV 5 Stone Gate (Shih Men)
CV 7 Yin Crossing (Yin Chiao)
CV 9 Water Division (Shui Fen)
CV 10 Lower Duct (Hsia Wan)
CV 12 Middle Duct (Chung Wan)
CV 13 Upper Duct (Shang Wan)
CV 14 Great Deficiency (Chu Chueh)
CV 15 Dove Tail (Chiu Wei)
CV 20 Flower Covering (Hua Kai)
CV 21 Pearl Jade (Hsuan Chi)
CV 23 Angle Spring (Lien Chuan)
CV 24 Receiving Fluid (Cheng Chiang)

GV 2 Loins Correspondence (Yao Shu)
GV 3 Loins Yang Border (Yao Yang Kuan)
GV 5 Suspended Pivot (Hsuan Shu)
GV 6 Middle Of The Spine (Chi Chung)
GV 7 Middle Pivot (Chung Shu)
GV 8 Contracted Muscle (Chin So)
GV 9 Utmost Yang (Chih Yang)
GV 15 Gate Of Dumbness (Ya Men)
GV 17 Brain Door (Nao Hu)
GV 18 Strength Divider (Chiang Chien)
GV 19 Posterior Summit (Hou Ting)
GV 26 Middle Of Man (Jen Chung)
GV 27 Correct Exchange (Tui Tuan)
GV 28 Mouth Crossing (Yin Chiao)

Health & Happy (1)
Things as Wishes (6)
Spring & Autumn (2)
Clear Cloud (1)
Back To True (1)
More Thinking (4)
Ambition (3)
Prosperity (1)
Success (2)

Additional information

Weight 1 lbs

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Our Mission

The Worsley Institute is the official home of the Worsley Five-Element Acupuncture tradition developed by professors J.R. and J.B. Worsley. The Institute is dedicated to the preservation and promotion of this system of medicine which is rooted in natural law.

The Worsley Institute was established in 1999 to preserve Professor Worsley's life's work. Since this time the Institute has grown from a small group of dedicated practitioners into a vibrant global organization with a thriving membership that welcomes everyone.

We are proud to showcase Worsley Acupuncture, a complete system of medicine in itself, which makes a unique and exciting contribution to the acupuncture profession as a whole.

The Institute collaborates with Judy Becker Worsley and Worsley Senior Instructors to provide a welcome environment in which everyone can learn, converse and discover this beautiful system of medicine and how it can help humanity.

Join us. The Institute is here to serve you, your educational needs, and to deliver a presentation of Worsley Acupuncture that is clear and has integrity. Thank you for visiting our site and we look forward to welcoming you as a member.

David Berkshire, L.Ac.
President, Worsley Institute

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